Preface : Mozart's Slurring, this Research and this Thesis

PART I INTRODUCTION

Chapter 1: Confusion Concerning Mozart's Slurring I
-- The Concept of Slur Signs in Mozart's Time

Chapter 2: Confusion Concerning Mozart's Slurring II
The Mystery of Mozart's Slurring

PART II THE YOUNG MOZART'S SLURRING

Chapter 3: The Young Mozart's Earliest Slurring
The London Sketchbook and the Symphony in E flat Major K. 16

Chapter 4: The Young Mozart's Slurring and Leopold's Slurring
The Slurring of J. C. Bach's Op. 5 in Keyboard Concertos K. 107

Chapter 5: Mozart's Keyboard Slurring in Early 1775
The Importance of Slurs in K. 279-284

Chapter 6: Slurs for Bowing Guidance?
Mozart's Slurring in the Violin Concertos in 1775

Chapter 7: The Young Mozart and Slurs for Voices, 1766-1779

Chapter 8: Slurring for Wind Instruments, 1773-1781

PART III THE MATURE MOZART'S SLURRING

Chapter 9: Mozart's Experimental Usages? Unusual Slurring in 1781-1783
Instrumental Slurrings

Chapter 10: Restriction and Innovation.
Slurring in K. 427 Mass (1782-1783)

Chapter 11: Slurring for Purposes of Characterization 1784-1786

Chapter 12: The Implication of Keyboard Slurring, 1781-1788

Chapter 13: Slurring in the Last Three Years, 1789-1791

Chapter 14: Conclusion
The Changes and Meanings of Mozart's Slurring